33.
        
      
      
        
           FISH BOWL
        
      
      
        WHITE PORCELAIN DECORATED IN UNDERGLAZE BLUE 
      
      
        JINGDEZHEN KILNS, JIANGXI PROVINCE
      
      
        MING DYNASTY, JIAJING MARK AND PERIOD (1522–1566)
      
      
        HEIGHT 61 CM; RIM DIAMETER 73.5 CM; 
      
      
        BASE DIAMETER 61.5 CM
      
      
        INV. NO. 630
      
      
        Fish bowl with gradually widening walls that
      
      
        curve slightly inwards just below the rim,
      
      
        made on a wheel in three parts from thick,
      
      
        heavy porcelain, covered with blue-tinged
      
      
        glaze except on the slightly recessed base,
      
      
        which turned orange during firing.
      
      
        The decoration is painted in deep, bright
      
      
        underglaze blue and comprises four Buddhist
      
      
        lions, each separated by a brocade ball
      
      
        wrapped in long, elaborately interwoven
      
      
        ribbons. The lions are vigorously and
      
      
        vivaciously represented in different
      
      
        positions, with round eyes, very curly manes,
      
      
        long hair on the body and legs, with 
      
      
        four-clawed paws and bushy tails, their open
      
      
        mouths revealing teeth and protruding
      
      
        tongues. The lions are placed between two
      
      
        lotus panel borders with clouds and 
      
      
        
          bi 
        
      
      
        discs,
      
      
        the upper panel inverted. Around the rim a
      
      
        classic scroll. Below a lotus panel beside 
      
      
        the head of one of the lions a horizontal 
      
      
        six-character mark of the Emperor Jiajing:
      
      
        
          da Ming Jiajing nian zhi
        
      
      
         (made in the Jiajing
      
      
        period of the great Ming dynasty) in a
      
      
        cartouche.
      
      
        The lion is not native to China and was
      
      
        introduced during the Eastern Zhou period
      
      
        (770-256 BC). When present in Buddhist
      
      
        sculptures, the animal traditionally appears
      
      
        guarding Buddha and in that context is
      
      
        generally associated with protection and the
      
      
        law.
      
      
        The lion first appeared as a decorative motif
      
      
        during the Tang dynasty (618-907). A lion
      
      
        playing with a brocade ball first appeared on
      
      
        Chinese ceramics during the Song dynasty
      
      
        (960-1279), and was probably inspired by 
      
      
        the silks of the Northern Song period 
      
      
        (960-1127). 1
      
      
        This fish bowl was made and probably
      
      
        painted by the same potter who decorated
      
      
        the preceding example (cat. 32), which
      
      
        certainly came from the same workshop 
      
      
        and perhaps even from the same batch.
      
      
        Fish bowls decorated with dragons are more
      
      
        numerous than those with lions. 
      
      
        1 Pierson, 2001, p. 86, nos. 85 and 86.
      
      
        
          84 .
        
      
      
         PORCELAIN OF THE YUAN (1279–1368) AND MING (1368–1644) DYNASTIES